Step Inside This Beachy Bahamas Abode by AD100 Designer David Netto
Table Of Content
“I wanted the effect of a family collection in a palazzo,” Netto says. “That’s the mission of the room.” To amplify that script, he had hoped to install a terrazzo floor, but structural concerns led to him to pave the space with wide English oak planks instead, as bare as the day they were milled. When designer David Netto couldn’t find rustic and sculptural lamps to suit his clients' spaces, he set out to create his own.
with interior stylist jessica hayns
They also asked him to figure out a way to bring in more sun and a sense of expansiveness. Netto stressed that making a great interior and acquiring historical masterpieces does not necessarily cost more. For Netto, this a lifelong vocation; he lamented that life is too short while there is so much to discover. Greatness also takes a daring spirit, with the vision to curate, layer, and juxtapose beyond the familiar conventions. This is Netto’s genius, which suffuses his work with poetry, intellect, and life.
The Ultimate House Tours Guide
As a creative, Netto explains, “you know the answer to a problem is often not to buy your way out of it but to make your way out of it.” Joining forces with Los Angeles–based artist Jennifer Nocon—a longtime friend and neighbor—brought his inspiration to fruition. Though the pair had few back-and-forth conversations while designing, Nocon easily created the lamps in Netto’s vision, which they both credit to their decades-long friendship. The resulting African textile-influenced lamps are both functional lights and art pieces in their own right. Each has a distinctive pattern carved into its ceramic stoneware base, ranging from abstract swirling tendrils to rows of cerulean eyes. “I wanted to make something that worked seamlessly in his spaces while also being a powerful object.” AD caught up with the designing duo to chat about their creative inspirations, friendship, and collaboration. The site epitomizes old New York and reminds Netto of his childhood—he learned to swim at the River Club Pool at the famed River House next door.
Anniversary Collection
The encircling orangerie brings the outside in through the seasons, with trees in zinc planters. "This decision was made in the interest of both parties in mid-November. Parler will continue to pursue future opportunities for growth and the evolution of the platform for our vibrant community." "If a white conservative male had written that email to an outspoken Black liberal, he would've lost everything," she said. "My husband wrote the most polite email because he's always polite, he's very English," Owens said.
Like many of the most beautiful locations in the world, the Bahamas can be a difficult place to pull off a decorating job. This project—one of the prettiest houses on one of the loveliest sites in one of the nicest spots in the Caribbean, the Lyford Cay Club—is a case in point. During more than two years of construction we had obstacles involving shipping, weather, communications, and travel logistics. Everyone on the design team fell in love with this place, as did the owners, who dubbed their new home Hideout. But then came the pandemic, and once the family was holed up there for months on end, they realized it was time to transform the house into a “real home,” the policy analyst recalls. The couple hoped that Netto, an ELLE DECOR A-List designer, could maintain the casual, rural allure while at the same time turning the house into a more polished and pared-down refuge.
Today it’s just that, transformed into a cabinet of curiosities given structure by spatial trickery. “I wanted to divide the space into something you can digest visually,” Netto explains of his brilliant decision to segment the space into a rhythmic parade of bite-size set pieces. White beams and crown moldings organize the ceiling while quartersawn oak wainscot, inspired by photographs of 1970s boats, panels the walls, the latter hosting vintage Italian sconces. Arrangements of choice flotsam and jetsam—at the far end of the hallway stands a grandly scaled Egyptian Revival console backed by a wall-spanning digital C-print by Idris Khan—stop visitors in their tracks for closer examination. One can stroll past 18th-century Northern Italian armchairs dressed in olive velvet, beefy antique Minton jardinieres, a welded-steel Julian Mayor chair that resembles a spiderweb, and arresting art and photography by the likes of William Klein and Marco Breuer.
This article originally appeared in the July/August 2020 issue of VERANDA.
Candace Owens Cries About David Netto Diss - NewsOne
Candace Owens Cries About David Netto Diss.
Posted: Thu, 06 Apr 2023 07:00:00 GMT [source]
Now he’s a respected interior designer working out of Los Angeles—but he spends half his time writing (books, and a column for Town & Country). David Netto is a true designer’s designer, deeply immersed in the history of the craft, its long-standing traditions, and its pantheon of legendary practitioners and landmark projects. A consummate arbiter elegantiae and industry gadabout, he creates interiors that transcend the increasingly antiquated definitions of traditional and modern.
Magazine Subscribe
When Netto first entered this landmark and saw the apartment’s magnificent view of the East River, he knew that the interior scheme needed to converse with the rich history of New York City. Previously decorated by the legendary Mica Ertegun, the apartment was renovated by architect David Hottenroth. Netto recognized his challenge was to augment something that was already practically perfect. His furniture selection emphasized classics like Mies van der Rohe’s Brno dining chairs, alongside timeless contemporary pieces by Pierre Yovanovitch, Wendell Castle, and François Catroux.
Latest Articles
But the sweetness was still there, mainly in the intimate scale of the rooms and the field full of sheep across the road that made you feel you could be deep in Virginia. The house was a portrait of these clients, or who they had not become yet, still asleep. I grew up looking at Architectural Digest in the 1970s, when people weren’t intimidated to put antiques in modern environments.
"We didn't know if we could afford a designer or anything." Netto and I first met nearly ten years ago, when we were invited to participate in a Design Miami Design Talk on the subject of collecting, connoisseurship, and our respective experiences living and working with design. I was thrilled to have the opportunity to catch up with him and learn more about his journey and vision, which, he revealed, is rooted in his experience as a child of New York City.
I wanted to make this the first fancy house here that looks like it actually belongs to young people. The most direct line of attack seemed to be to remake the ubiquitous tile floors—the thing that’s visible everywhere in a tropical house—in some mischievous, unexpected material. If one decision counted here, it was the first one—to save the existing building, adding on to it strategically rather than tearing it down. This elegant but compact villa had a position in the hearts of the community. Its previous owners were well-liked, and many neighbors shared happy recollections of dinner parties there. But it was a one-story house made for a couple, not a family with four kids.
That was the case with the house in Connecticut on these pages, a project for a young family who moved from New York City in search of some green for their two small children. David Netto has always balanced a love of tradition with a pinch of iconoclasm. He grew up on the Upper East Side and went to the venerable boys’ private school Buckley—but hated it (they wanted him to be a jock, he wasn’t). Later he went to Harvard for a master’s in architecture—then dropped out.
Robsjohn-Gibbings, inspired by the ancient Greek precedent. In the kitchen, Netto installed a wall of blue-and-white tiles designed by Gio Ponti for his Parco Dei Principi Hotel in Rome in the 1960s, and for the living room, a pair of Jean-Michel Frank chairs originally created for the Llao Llao Hotel in Patagonia in the 1930s. Netto’s prolific portfolio is a testament to his talent for forging intriguing, nuanced dialogues between past and present; between the architectural envelope and the selection of furnishings; between sophistication and livability. A couple who “wanted to be young again” after their kids moved out commissioned Netto to convert their traditional, prewar apartment into a less-formal, downtown-style loft.
What is the difference between a good client and a great client? Usually it’s the number of yeses one gets (“the more I get, the better it looks,” Miles Redd once said to me). Often it’s the blessing of a collection, or the always-hoped-for epiphany of lots of books.
Comments
Post a Comment